Regarding backlash, Jennings gave a sympathetic ear to fans who were as frustrated as him: In general, it's a surefire way of showing fans that aren't heterosexual and identify with these characters that they can't have nice things. Lance's death rings pretty similar to Villanelle's, considering the out-of-nowhere nature of it and the major fan backlash resulting from it. "Bury your gays" as a trope been a mainstay in entertainment showing LGBT couples as more expendable than their heterosexual counterparts, from one-off moments like in All in the Family and the recurring character Beverly LaSalle to major, status-quo shifts like Sara Lance's death in Arrow. "How much more darkly satisfying, and true to Killing Eve’s original spirit, for the couple to walk off into the sunset together? Spoiler alert, but that’s how it seemed to me when writing the books."
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"A truly subversive storyline would have defied the trope which sees same-sex lovers in TV dramas permitted only the most fleeting of relationships before one of them is killed off," he said. Jennings' big gripe with the ending was that it was "bowing to conventions," slamming the constant unfair balance of same-sex couples constantly denied their happy ending. RELATED: The Aliveness of 'Killing Eve's Villanelle is What Makes Her Death so Devastating
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But the final series ending took me aback." With regard to the ending though, he said, "It’s an extraordinary privilege to see your characters brought to life so compellingly. But it’s a thrill to see your story taken in unexpected directions." Jennings assured he's always been appreciative of the show and the work of the actors and screenwriters that have done their best to bring his books to life. You’ve lived with them in your head for far too long. "You’re never going to love everything the screenwriting team does, that’s a given. "As an author, it’s a thrill having your work adapted for TV, as my Killing Eve novels were," Jennings opens with in his column. It doesn't even let the audience savor the moment, and instead kills the romance with a death that didn't gel with the tone that Jennings said he wanted to come across. The finale finally granted fans their wish with the two making it official, right before the cruel twist of Villanelle being unceremoniously gunned down during their escape attempt. It teased viewers with their will they, won't they nature that had everyone hoping they'd eventually get together. Now, Jennings himself has spoken out about his distaste for the ending in a new column for The Guardian.įor four seasons now, the show has followed the part manhunt, part romantic relationship between Sandra Oh's Eve and Jodie Comer's international assassin Villanelle. It's the lowest rated episode of the series by far on IMDB, at a dreadful 2.8, and prompted a resounding "what" from audiences as it trudged up the dreaded "bury your gays" trope for all to see. Compared to the rest of the series though, the finale, which aired on April 10, left many fans and critics alike with a bitter taste in their mouths. I hope the same level of dramatic tension and immersion in the story is maintained through the other episodes, but hats off to the production team for the first installment in any case.Since premiering in 2018, Kiling Evehas been a fairly beloved adaptation of Luke Jennings' trilogy of novels. Martin Clunes, in particular, shone as the down-to-earth, no-nonsense DCI Colin Sutton a million miles away from his very well known Doc Martin persona. The cast did an excellent job of portraying people who felt real, the dialogue didn't come across as being overly affected or dramatised. The process, then, is surely as close to what really happened, the behaviour of officers and the unfolding of the investigation as true as possible.
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We've all seen a load of police procedurals before, but I've never seen one that felt so true before, probably because the drama is derived from the memoirs of the detective who led the investigation. If I didn't know that the events which took place in Manhunt were real history, I'd still have been impressed by the production.
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Manhunt is a dramatisation of the hunt for the real-life murder of Amelie de la Grange on London's Twickenham Green in 2004.